News

DH postdoc at UC Berkeley

APPLICATION DEADLINE:  January 8, 2016

The Division of Arts & Humanities of the College of Letters & Science at the University of California, Berkeley, invites applications for postdoctoral fellowships in the Digital Humanities.

Funded by the Andrew W. Mellon Foundation, Digital Humanities at Berkeley is designed to increase our capacity for teaching and scholarship in the digital humanities, with a focus on integrating these into the central academic enterprise of the university.

Canada Research Chair Tier 2 in New Media and Literary Culture

From: Douglas Ivison <divison@lakeheadu.ca>

Subject: Canada Research Chair Tier 2 in New Media and Literary Culture

Lakehead University Tier 2 Canada Research Chair in New Media and Literary Culture

Lakehead University invites applications for a SSHRC Tier 2 Canada Research Chair (CRC) in New Media and Literary Culture. All scholars working at the intersection of media studies and literary studies are encouraged to apply. We are especially interested in applicants whose research takes account of new media (analog and/or digital) and their implications for literary culture, including but not limited to work in the areas of comparative textual media, electronic literatures, digital poetics, writing machines, emerging textualities, intersections of print and new media culture, digital literary scholarship, new media as literary form, the history and future of reading, book history, and media archaeology. A secondary specialisation in Writing and Rhetoric would be an asset.

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Save the date: TEI Simple HackAThon, Lyon, Oct 2015

Dear all,

It is a pleasure to announce that there will be TEI Simple HackAThon at TEI Members Meeting in Lyon in October this year.
Conveners for this event are Magdalena Turska and Wolfgang Meier of eXist Solutions.
Registration will be open as soon as the date is confirmed. Most probably it will be Monday, 26th of October.
Meanwhile, here’s the presentation on Simple Processing Model I will be giving this Friday as part of first DiXiT Convention in The Hague http://goo.gl/DlP2us and the previous one, delivered by James Cummings during DH 2015 in Sydney https://goo.gl/CjBohw
On behalf of Magdalena Turska by your TEI social media coordinator,
Paul O’Shea

Call for Contribution: Special Issue on Computer-Aided Processing of Intertextuality in Ancient Languages

Call for Contribution: Special Issue on Computer-Aided Processing of Intertextuality in Ancient Languages

“Europe’s future is digital”. This was the headline of a speech given at the Hannover exhibition in April 2015 by Günther Oettinger, EU-Commissioner for Digital Economy and Society. While businesses and industries have already made major advances in digital ecosystems, the digital transformation of texts stretching over a period of more than two millennia is far from complete. On the one hand, mass digitisation leads to an „information overload“ of digitally available data; on the other, the “information poverty” embodied by the loss of books and the fragmentary state of ancient texts form an incomplete and biased view of our past. In a digital ecosystem, this coexistence of data overload and poverty adds considerable complexity to scholarly research.

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CFP: Distance Technologies, Distant Reading, and Literary Pedagogy

CFP: Distance Technologies, Distant Reading, and Literary Pedagogy

Joint Session between CSDH/SCHN and ACCUTE for Congress 2016 

Calgary, Alberta, Canada | May 30 – June 1, 2016

What potential resides in the integration of the digital humanities with distance technologies? How might such an integration facilitate the offering of literature courses online? Although the phenomenon of literature courses delivered entirely or partially with the assistance of web-based technologies has made significant inroads into North American curricula and generated lively debates across social and traditional media, the prospects for teaching literature online still remain uncertain. With the rise in popularity of summer institutes such as DHSI at the University of Victoria, and the recent spread of localized DH institute offerings at Guelph and Dalhousie, the moment seems to have arrived when Canadian institutions might consider how the rise of the digital humanities could contribute to transitioning literature departments toward adopting year-round DH course offerings at the undergraduate and graduate level. How might techniques and technologies of the digital humanities be coupled with literature courses offered online? How productive is the relationship between the practices of “distant reading” and the pedagogy of distance technologies? What kinds of institutional resources are necessary for distance course design and support? What kinds of open-source tools and platforms might be enlisted in such courses? How do we measure the long-term impact of such offerings on enrolments? How do we persuade colleagues and administrators to accept the potential for the move toward dedicated distance course offerings?

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Announcement: Winner of the Göttingen Dialog in Digital Humanities (GDDH) award 2015

The board of the Göttingen Dialog in Digital Humanities is pleased to announce the winners of this year’s dialog series award. The winner will be handed a prize of €500 and candidates in the second and third position will receive a notable mention.

 

The winner of the seminar series of 2015 is the paper:

 

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action

by

Daniel Schüller et al.

in combination with the presentation given by

Daniel Schüller, Christian Beecks & Irene Mittelberg

from RWTH Aachen University, Germany and University of Alberta, Canada

on 23rd June

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CFP: Public Humanities in a Digital Age (ACLA 2016)

Public Humanities in a Digital Age, ACLA 2016

Organizer: Nicky Agate, Modern Language Association

The NEH’s recently launched Public Scholar program, a burgeoning number of public humanities initiatives and centers all over the country, and the increasing requirement of grant and job seekers that their work have a public component all indicate a redefinition of the public intellectual. Many of the products of such initiatives make use of Web 2.0 technology and new, open forms of scholarly communication.

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CfP: DiXiT Convention “Digital Editions: Academia, Society, Cultural Heritage”, Cologne, 16- 18 March 2016

DiXiT Convention “Digital Editions: Academia, Society, Cultural Heritage”, Cologne, 16-18 March 2016

Call for papers

The Cologne Center for eHumanities is organizing the second DiXiT convention, taking place 16-18 March 2015 in Cologne, Germany. The conference will be preceded by a day dedicated to workshops on:

* Publishing Models for Digital Scholarly Editions
* Aggregation of Digital Cultural Content and Metadata Mapping
* XML-Free Scholarly Editing

The convention organizers invite contributions from everyone working in the field of scholarly editing and its neighbouring areas. Early career scholars are welcome.

Reminder: registration open for the TEI Conference and MM 2015

Reminder that registration is open for the upcoming TEI Conference and Members’ Meeting, to be held in Lyon, France, from October 28th to 31st (+ pre-conference workshops from 26th to 28th Oct.)

Please note that the “early bird” registration rates run until September 15th!

To register, please follow the instructions here:
http://tei2015.huma-num.fr/en/registration/

CFP — Cinema Journal Teaching Dossier @ teachingmedia.org

http://www.teachingmedia.org/cinema-journal-teaching-dossier-cfp-dh-and-media-studies/

DH and Media Studies Crossovers/Collaborations/Interdisciplinary Explorations

Edited by Melanie E S Kohnen  and Leah Shafer

Media studies and Digital Humanities (DH) work share a range of intersecting concerns. Recent discipline-wide discussions in Flow and Media Commons, as well as at the SCMS and MLA conferences, have emphasized the crossovers between the two. For this issue of the Cinema Journal Teaching Dossier, we seek contributions that bring this discussion into the classroom. How do the concerns of DH work, with its emphases on innovative scholarly architectures, multimedia components, and cross-disciplinary hybridity, speak to evolving trends in media studies pedagogy? What kinds of pedagogical practices engage and capitalize on DH’s emphases on praxis and design? How can media studies practice model and promote a productive collaboration around computing in the humanities?

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